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Out with the New, In with the Old at Art Market

 

One of the best things about the art world is simply how surprising it can be.

For example, at the VIP Preview for the SF Art Market- which took place in our very own home of Fort Mason- you might expect to see well-dressed, pretentious people sipping on wine glasses while looking at overpriced art. While there certainly was that type of crowd there, the main attraction was the long line of hipsters waiting to get prints and free pins by GATS, one of the Bay Area’s most prominent graffiti artists.

 

artwork by GATS, represented by Spoke Art Gallery

The best part was how natural it felt having different kinds of art and art lovers in the same space. The conversation between the past and the present, the traditional and the contemporary, was ever-present at the international art fair this year. From Bernini to Warhol, contemporary artists are still paying homage to their favorite masters of art. Here are some of our favorite references to classic art history seen at the 2018 San Francisco Art Market.

 

 

Located near the market’s entrance is this remarkable recreation of Vermeer’s famous Girl with a Pearl Earring. Created by E2- Kleinvald and Julien, an artist duo represented by Jonathan Ferrara Gallery, this print intended to have viewers question their expectations of art with regards to stereotypes.

 

Ode to Vermeer’s Girl with a Pearl Earring,  E2 Kleinveld & Julien, 2012

 

Girl with a Pearl Earring, Johannes Vermeer, 1665

 

Another modern take on classic portraiture was this painting presented by Cordesa Fine Art. We the Peep-Hole featured the portrait of Anna Payne Cutts, the sister of James Madison’s wife Dolley, originally done by colonial painter Gilbert Stuart.

 

We The Peep-Hole (Anna Payne Cutts, Erasure No. 12), Shawn Huckins. 2018

 

Anna Payne Cutts, Gilbert Stuart, 1804

 

Using daring and only slightly unconventional colors, artist John Holcomb (represented by Rebecca Hossack Gallery) paid homage to Hans Holbein the Younger’s portraits of Henry VIII and Jane Seymour as part of his series “Masters Fan Club.”

Big King H (After Holbein), John Holcomb 2018

Portrait of Henry VIII, Hans Holbein the Younger, 1537

Not That Jane Seymour (After Holbein) John Holcomb, 2018

 

Jane Seymour, Queen of England, Hans Holbein the Younger, 1536

 

Another interesting take on portraiture was Virginie Schroeder’s mixed media portrait of Frida Kahlo, exhibited by the Quebec-based Arteria Gallery. Schroeder applied a mixture of oil and acrylic paint with a syringe that gives this portrait its abstract-from-far-away look.

La Personnalité Charismatique de Frida Khalo by Virginie Schroeder

 

The Arteria Gallery also displayed these vegan editions of Andy Warhol’s famous soup cans painted by French artist L3F0U. 

Campbell’s Soup a la Warhol, L3 F0U

 

Warhol was even the subject of a painting exhibited by Peimbert Art Gallery. Artist Lluis Balba painted “self portraits” of Andy Warhol and Salvador Dali that were basically a hodgepodge of cultural references Warhol himself would have been proud of. We especially love the references to Jeff Koons, Roy Lichtenstein, Alexander Calder, and Avril Lavigne.

Autoretrato Warhol, Lluis Balba, 2018

Balba also pays tribute to Rene Magritte in a massive piece Golconde Magritte that reinvents Magritte’s Golconda by inserting contemporary figures alongside Magritte’s signature bowler-hatted men.

Golconde Magritte, Lluis Balba

 

The cartoon folding screen below, created by Korean artist Lee Lee Nam, features traditional watercolor paintings with contemporary images animated over them, including Rodin’s Thinker, Michelangelo’s David, and Bernini’s Apollo and Daphne. Nam’s mixed media artwork often plays with traditional Western masterpieces.

 

Cartoon Folding Screen, Lee Lee Nam, 2016

 

Is it really an art market if there isn’t Pop Art somewhere? Don’t worry, SF Art Market has that need satisfied through Nelson de la Nuez’s Lichtenstein-esque paintings displayed by the Bruce Lurie Gallery.

 

The Bruce Lurie Gallery also exhibited a record for San Francisco punk/ska band The Offs, whose first and only record had artwork done by none other than Jean Michel-Basquiat.

 

The Offs - First Record, Jean-Michel Basquiat, 1984

 

Basquiat wasn’t the only big-name artist whose work was displayed at SF Art Market. The Woodside/Braseth Gallery exhibited several works by painter Jacob Lawrence, who is widely known as one of the greatest 20th century African-American artists. The same gallery also held works by Roy DeForest, who worked alongside artists like William T. Wiley and Robert Arneson at UC Davis, and Robert Motherwell.

 

Soda Fountain Scene (Shaved Ice Cart, Harlem NYC) Jacob Lawrence, 1960

 

Speaking of art teachers at UC Davis, the Studio Shop Gallery from Burlingame, CA exhibited multiple pieces by painter Roland Petersen. His use of vibrant, exaggerated color is very similar to that of his colleague Wayne Thiebaud. Some of Petersen’s best-known works are those part of his Picnic series depicting the university’ annual Picnic Day event; in fact, UC Davis just held is 104th Picnic Day celebration on April 21, 2018.

  

 

Picnic with Two Trees, Roland Petersen, 2004

 

If you were really in the mood for a picnic, the #MAGAburger project invited people to cook and eat hamburgers while viewing a reproduction of Renoir’s Two Sisters on the Terrace. Courtesy by Ever Gold Projects, the project meant to bring attention to the “Appropriation” movement led by president Donald Trump, who (thinks he) owns the actual painting. The goal of the project was to perceive the work as the very thing it referenced.

 

 

San Francisco Art Market only ran from April 26-29, but you can still check out the featured artwork on their official official website. If you attended this year, what were some of your favorite pieces? And if you’re not from the San Francisco Bay Area, let us know what local art fairs and exhibitions are near you!

 

Alannah Clark

Contributor