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Dazzle-ships in Drydock at Liverpool
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"Give 'em the old razzle dazzle" took on a whole new meaning in World War I.

At the start of the 20th century, just before the war, a man named Norman Wilkinson convinced the English navy to take ship camouflage to the next level. Rather than aim for invisibility, he sought to confuse the opposing armies to greatly hinder their ability to aim and hit the ships.

To convince the English navy to give dazzle camouflage a try, Wilkinson made a model dazzle ship and challenged King George V to predict it’s direction. When the king failed to do so correctly, he grew agitated. Wilkinson presented the same challenge to a high ranking official in the English Navy who then also failed the challenge. The official responded with “How the hell do you expect me to predict the course of a ***** thing all painted up like that?”, successfully proving Wilkinson’s point.

Our artist Wadsworth wasn’t involved in the conception of dazzle camouflage, but has since become one of the most recognizable names associated with the project. This painting in particular, his first after the war ended, saw a great surge in popularity for the artist. Wadsworth worked as one of the camoufleurs tasked with designing and painting the geometric patterns for English naval ships. When the ships docked, as portrayed here in the painting, they caught the attention of all those around, dazzling them as it were.

The idea behind dazzle camouflage was to use conflicting geometric shapes and vertical lines of black and white to make the path of the ship indecipherable to enemy attackers. If an opposing submarine couldn’t determine where the ship was headed, they couldn’t correctly target their torpedoes and the beautiful ships would sail on unharmed.

Overall, the dazzle camouflage project was deemed a success — especially in the eyes of the public. However, research conducted in the years following the war argue that its supposed success may be attributed to other developments in the English navy. Nonetheless, the idea of dazzle camouflage fascinated the public at the time. So when statistics were released that showed ship sinkings had decreased since the ships were bedazzled, the press ran with it. Dazzle camouflage became so popular that it made its way into fashion, with fabrics recreating the same patterns. The resulting popularity led Picasso to boast that dazzle camouflage was inspired by the cubist movement.

While the ship sinkings had decreased, reports comparing how often the ships with dazzle camouflage and the ships without were hit or sunk showed the difference was minimal. There wasn’t much to support that dazzle camouflage worked as intended or as well as the press claimed. But, it was said that the morale of the crews on the dazzle ships was much higher than those without because they felt so confident in the project and the protection the paint gave them.

Dazzle camouflage inspired further camouflage development in World War II, with artists such as Ellsworth Kelly participating as camoufleurs. His painting Cité in particular feels like it could have adorned a pretty awesome dazzle ship.

 

Sources

Sources

  1. Brichacek, Joseph. “Dazzle Camouflage: The Art of War.” National Museum of American History, May 3, 2016. https://americanhistory.si.edu/blog/2013/07/dazzle-camouflage -the-art-of-war.html.
  2. Forbes, Peter. Dazzled and Deceived: Mimicry and Camouflage. New Haven, CT: Yale University Press, 2011.
  3. OBrien, Glenn, and Jean-Philippe Delhomme. How to Be a Man: a Guide to Style and Behavior for the Modern Gentleman. New York, NY: Rizzoli, 2011.
  4. Saunders, Nicholas J., and Paul Cornish. Contested Objects: Material Memories of the Great War. London: Routledge, 2013.

Featured Content

Here is what Wikipedia says about Dazzle-ships in Drydock at Liverpool

Dazzle-ships in Drydock at Liverpool is a 1919 painting by the English artist Edward Wadsworth. It is one of Wadsworth's most famous paintings.

Creation

Wadsworth had been involved with Vorticism, an abstract art movement led by Wyndham Lewis, before he was employed to design dazzle camouflage for ships during World War I. This experience forms the background for Dazzle-ships in Drydock at Liverpool.

Check out the full Wikipedia article about Dazzle-ships in Drydock at Liverpool.

Comments (3)

cocoa543

This piece of artwork caught my attention right away from the use of all the different lines. This image is a ship at dock. It looks as if there is a little factory in the background too. There is a lot of different movement going on in this image. This can sometimes be overwhelming in different pieces but the artist of this image did a great job of displaying the ship. You can easily point out and clearly see the focus in this piece. This is definitely a unique piece of art because of the things that the author portrays and the intentions behind it.

BearsEatBeets

This artwork's use of hard black and white lines to form an abstract ship interests me. I don't know how I know it, but this is a ship. Though it is a seeming mess of random lines it is still quite clear that the artist's intention was to create a ship out through shapes rather than brushstrokes.

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