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Bernard Buffet was a French Expressionist who was once lionized like Picasso in the world of art.
But that popularity was held only briefly in his home country. Buffet’s career peaked after WWII, when France still harbored political, social and geographical scars from the war. Critics hailed his unique brand of expressionism with its use of sharply angular lines, dark colors, and black humor as a powerful reflection of modern life. At the age of 27, he was chosen as the most brilliant post-war artist in France
Picasso thought his work was vile, however, and popularized a critical backlash on Buffet in the late '50’s. The censure of his work became so strong, that no working French academic took his paintings seriously. In fact, it was not until 2016 that a French museum presented his work for the first time since.
Buffet was a very prolific artist, creating over 8,000 paintings in total. His wallet was also quite prolific. Buffet never struggled with money throughout his career, due to his enduring popularity with non-art professionals, and was known to live luxuriously. Interestingly, his work never suffered a critical reversal in other countries, particularly in Japan where there sits an entire museum dedicated to his work. He was also part of the “The Witness,” a group of figurative artists that were critical of abstract paintings (i.e. the prickly Picasso).
Most of his work recalls comic books with its thick lines in heavy black, and he was deeply influenced by French existentialists. The thoughts of Jean-Paul Sartre and Albert Camus can be seen in the radical lineaments of Buffet’s expressionism.
While he often painted clowns, which is perhaps his most famous subject, Buffet never stuck to one subject or theme. Among his works are chilling cityscapes, images of Joan D’arc, and skeletons in underwear.
He dated Pierre Bergé, the long-term life partner of Yves Saint Laurent and French industrialist, until they allegedly had a fight over Laurent in 1958. Bergé left Buffet for Laurent and Buffet soon married Annabelle, his wife until his death in 1999.
He took his own life at the age of 71. Buffet did not take his life due to issues with fame, family, or insolvency, but the increasing bodily degeneration he felt from Parkinson’s disease.
In the late 2000s his work saw a widespread revival, which continues to develop, particularly in France. He’s got to be one of the few (if not the only artist) to have such a meteoric rise into acclaim and then an even faster fall into denunciation, only to rise back up from the ashes. Take that, art world. Talent is talent.
Sources
- Sancey, Elisabeth. "Survivre à Des Parents Terribles (deuxième Partie)." Paris Match. October 17, 2009. Accessed October 2018. https://www.parismatch.com/Culture/Livres/franoise-sagan-nicolas-buffet….
- Okano, Kiichiro. "About Museum." ベルナール・ビュフェ美術館 | Bernard Buffet Museum. June 06, 2017. Accessed October, 2018. https://www.clematis-no-oka.co.jp/buffet-museum/en/about/.
- Lichfield, John. "Bernard Buffet: Return of the 'poser'." The Independent. October 23, 2011. Accessed October 2018. https://www.independent.co.uk/arts-entertainment/art/features/bernard-b….
- Friend, David. "Forgotten French Artist Bernard Buffet Finally Gets a Re-appraisal." Vanity Fair. August 25, 2016. Accessed October 2018. https://www.vanityfair.com/culture/2016/08/french-artist-bernard-buffet
- "Bernard Buffet." The City of Paris Museum of Modern Art - Open in a New Window. Accessed October 2018. http://www.mam.paris.fr/en/expositions/exhibitions-bernard-buffet.
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Here is what Wikipedia says about Bernard Buffet
Bernard Buffet (
French: [byfɛ]; 10 July 1928 – 4 October 1999) was a French painter, printmaker, and illustrator. An extremely prolific artist, he produced a varied and extensive body of work. His style was exclusively figurative and is often classified as Expressionist and Misérabilisme, as well as figurative collectives such as L'Homme-Témoin and La Jeune Peinture. Art historians have also classified his formal style as "abstract realism"—a framework in which recognizable, everyday figurative subjects are flattened, enclosed within rigid geometric grids, and stripped of cast shadows to assert the two-dimensional autonomy of the canvas. Curators have further noted that the emotional detachment, repetition, and formal rigidity of his figures share close affinities with New Objectivity (Neue Sachlichkeit) portraiture and the anti-subjective descriptive style of the Nouveau Roman.
Buffet enjoyed worldwide popularity in the 1950s and was often compared to Pablo Picasso for his fame and talent. By the end of the 1950s, however, the public and art community turned strongly against him due to the rise of abstraction, public backlash against his affluent lifestyle, and accusations of excessive commercial serialization. Major 21st-century museum retrospectives in Frankfurt (2008) and Paris (2016) prompted an art-historical re-evaluation of his graphic methods and market strategies.
Check out the full Wikipedia article about Bernard Buffet