Artist
Pieter Brueghel the Elder
Flemish Renaissance painter

Disclaimer

Images

We do our best to use images that are open source. If you feel we have used an image of yours inappropriately please let us know and we will fix it.

Accuracy

Our writing can be punchy but we do our level best to ensure the material is accurate. If you believe we have made a mistake, please let us know.

Visits

If you are planning to see an artwork, please keep in mind that while the art we cover is held in permanent collections, pieces are sometimes removed from display for renovation or traveling exhibitions.

Pieter Brueghel the Elder
Flemish Renaissance painter
5
Average: 5 (1 vote)

Birth Date

1525

Death Date

September 09, 1569

Arty Fact

cschuster's picture

Sr. Contributor

Pieter Bruegel the Elder loved to party.

He's basically the 16th century Flemish artist equivalent of The Wedding Crashers. The only thing he loved more than partying was painting other people partying.

Like Wilson and Vaughn, Bruegel had an alter ego for carousing. He dressed up as a peasant, then found whatever local barn raising or wedding or christening, or whatever, was going on that day and left his problems at the manor. Some clarification of 'dressed up as a peasant' is necessary because he came from old money. Suffice it to say that he wouldn't need a loan for art school, and he wouldn't be living in the dorms unless he wanted to (he would want to). He was cavorting as a peasant so often that he gained the nickname Peasant Bruegel. That probably isn't a strain of nicknames someone could get away with today. "Hey everyone, Poverty Susan is coming to our party!" Despite crashing peasant soirees for inspiration and focusing a plurality of works on the minutiae of their festivities, most of his patrons were scholars and wealthy businessmen. Not to be too harsh...but that kind of makes Peasant Bruegel a sell-out. 

Another favorite subject of his, though you'd never expect it, was The Spanish Inquisition. Bruegel wasn't a fan. The Spanish were running amok throughout the Low Countries, putting good God-fearing folk to the dish rack left and right for not believing in God properly. However, the Inquisition didn't even try censoring OR censuring Bruegel. It seemed he was untouchable. It probably didn't hurt, though, that his most fervent patrons were the Habsburgs in Vienna (which is why a full third of his extant works are available for viewing in Austria instead of Belgium or The Netherlands). The Habsburgs were also the family on the throne in Spain, instigating the Inquisition. This leaves open the question of whether The Spanish Inquisition was really just a ploy by the Habsburgs to push Bruegel toward greater artistic success for their own enrichment. The only answer seems to be DIABOLICAL LAUGHTER.

Peasant Bruegel is also the progenitor and unquestionably best painter of an artistic dynasty stretching four generations. It all started when Bruegel married his teacher's daughter, Mayken. Their sons, Pieter Bruegel the Younger and Jan Bruegel the Elder, would go on to achieve recognition through their own painting careers. However, with their father dead by the time they were young children, Pete Sr's influence on the brats is minimal. They were taught by Mayken's mother, famous for her tempera works and, also, an established artist. Whenever the boys asked about their father, it's easy to imagine Mayken tearing up, staring into the distance and saying, "History will remember him... for his keg stands."

Featured Content

Here is what Trivium says about Pieter Bruegel the Elder

A Religious Painter

Pieter Bruegel painted in the midst of a cultural tornado that swept Western Europe in the 1500’s. The power of the Catholic church was eroded by the humanism and intellectualism that spread from Italy’s High Renaissance and the new Protestant reformation.

Bruegel’s early work was an almost perfect mirror of the demonological themes that Heironymus Bosch had pioneered and had become wildly popular throughout the Netherlands. Birds-eye views of battles between angels and fish-faced demons — Bruegel was following the religious obsession of his culture.

A Student of Humanity 

But in 1565, when Bruegel was 40 years old, he found a new focus. After traveling to Italy, Antwerp, and finally settling in Brussels, Bruegel decided to paint people. Perhaps influenced by the growth of ‘heretical’ Calvinism, or simply the maturing of a successful artist, Bruegel began to dress as a peasant, and socialize at rural weddings and festivals. His work changed dramatically, with a new focus on the seasons, and the honest toil of the working classes.

Bruegel was the first in a dynasty of Flemish painters, and is one of the clearest examples of the evolving role of an artist — from a conduit of religious dogma, to an independent interpreter of culture. His sons Peiter and Jan Bruegel would take up the brush after him, though they were still young when their father died, and their work would always lack the refinement and pragmatic worldview of their father’s final works.

Learn more about Pieter Bruegel the Elder and other artists at Trivium Art History

Featured Content

Here is what Wikipedia says about Pieter Bruegel the Elder

Pieter Bruegel (also Brueghel or Breughel) the Elder (/ˈbrɔɪɡəl/,also US: /ˈbrɡəl, ˈbrɜːɡəl/,Dutch: [ˈpitər ˈbrøːɣəl] (About this soundlisten); c. 1525–1530 – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker from Brabant, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings.

He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following period of little more than a decade before his early death, when he was probably in his early forties, and at the height of his powers.

As well as looking forwards, his art reinvigorates medieval subjects such as marginal drolleries of ordinary life in illuminated manuscripts, and the calendar scenes of agricultural labours set in landscape backgrounds, and puts these on a much larger scale than before, and in the expensive medium of oil painting. He does the same with the fantastic and anarchic world developed in Renaissance prints and book illustrations.

He is sometimes referred to as "Peasant Bruegel", to distinguish him from the many later painters in his family, including his son Pieter Brueghel the Younger (1564–1638). From 1559, he dropped the 'h' from his name and signed his paintings as Bruegel; his relatives continued to use "Brueghel" or "Breughel".

Check out the full Wikipedia article about Pieter Bruegel the Elder.